Relations Between Teenagers And Adults Essay

A common phrase that adults displace testify to hearing from any given teenager is, You dont display This proves a struggle between the early days and the adults that quite possibly is never-ending. Adults make assumptions about(predicate) pull the leg ofs, ground on the way they dress, which pushes kids further and further away. In the essay, Goths in Tomorrowland by Thomas Hine (2001), he emphasizes the beliefs that adults began the conceit of callowness alienation from older societies and the teenagers keep it that way. Donna Gaines (2001) essay, Teenage Wasteland, discusses four teenagers who were mocked and misunderstood by adults and reporters alike. Jon Katz (2001) lets the kids inform themselves about their seclusion from society and the misconceptions about them in his column, More from the Hellmouth Kids Tell About Rage. The business that elders appearing towards young people is merely a fear of the unknown. Adults argon worried about the younger generations b ecause of their mis recognizeings of the youth culture, their failure to intromit youth into the adult society, and the instigation provoked from young people. Misunderstanding of youth creates the faulting between adults and teenagers. Many teenagers spend their whole teen experience distinct for mortal to just understand them.A lot of them do non even make it through this experience because they give up feeling that no one knows what they ar going through. Parents also fear for their kids because they do not understand them. A boy named Evan best explains this in More from the Hellmouth Kids Tell About Rage. He says, People fear what they dont understand, and lets face it, the world . . . isnt some topic most people can understand . . . (Katz, 2001, p.81). I can remember going through hard times of changing schools so frequently and my parents thinking it was so easy for me. When in reality, it was the hardest thing to do. It is hard on a kid to have to make friends, move, a nd then start all over again. When I tried to talk to them about it, they could never see where I was coming from or my point of view on anything. There is zero point that can be done for adults to be able to fully understand the younger generation. It is just a gap that is placed there by human nature and this generation gap can never be fully understood.Regarding my experience mentioned earlier, I noticed that my parents made no effort to understand what I was feeling and how their decisions would affectme. That is what separated me from them, the fear of the unknown. The fact that the majority of adults make no effort to accept young people into their world is no alien idea. The teenagers from Goths in Tomorrowland were not accepted by adults scarce for the reason that the teens dressed differently from what was considered to be normal dress. They adults confuse thrashers with metalheads and goths because they all wear black. Then they remove that theyre all taking drugs and w orshipping Satan (Hine, 2001, p.71). Adults do not understand that teenagers are constantly searching to define themselves as individuals. Expression through clothing is a form of that. Yet, Hines article is not about merely how the teenagers dressed differently to distil themselves, It is about the alienation of teenagers from adult society, and equally about the alienation of that society from its teenagers. The mere presence of teenagers threatens us adults (p. 69).Is it the idea that this young generation of gothic-dressed supposed losers lead be replacing the elders when their time is up that is so scary? Or are the youth of now causing this boundary that is formed by instigating the adults with things that they know scare them? The fault of the misunderstanding between youth and elders is not all due to the close-mindedness of adults. Young people draw adults to see them as irresponsible and youthful by the way they act and carry themselves. It is almost as if they are pur posely trying to show the world that they are independent, young, and can do whatever they please. The body alterations that young people use to evoke that they are no longer children successfully frighten grown-ups, but they also convince them these weird creatures are well short of being adults. The ring through the lip or the nipple merely seems to argue that they are not ready for adult responsibility. What they provoke is not respect but restrictions. (Hine, 2001, p. 71)By display off their ability to create their own identity, they are causing trouble for themselves. They should be able to express themselves freely, but instead they are left with no choice but to keep in and guard duty their emotions. Yet, by guarding their emotions by putting on these facades, they are actively guarding their psychic space because the adults controlled everything else (Gaines, 2001, p.66). Another thing that sometimes can separate youth from their adults is their inability to speak up. The y are afraid that if they say what is on their mind or how theyare feeling that it could be used against them. According to Donna Gaines Teenage Wasteland, Like any other alienated youth . . ., they dont like to talk to adults (p. 65). By talking to adults, they are giving themselves away and whatever you they say can be held against you them (p. 65).Their deepest and darkest secrets should only be shared with someone who understands them. This game of misunderstanding played between adults and youth has been going on since the beginning of time. They are considered to be in two different societies and it will be like that until the end of time. Adults do not completely understand teenagers and they never will. It is just the truth of being either an adult or a teenager. No one can understand both. Adults traverse to accept youth inside of their world and youth refuse to be a part of their elders world. It is a vicious cycle. Adults have to learn to let teenagers live their lives even when they feel like protecting their children.ReferencesGaines, Donna. (2001). Teenage Wasteland. In D. George & J. Trimbur (Ed.) interlingual rendition Culture. 4th ed. (pp. 63-66). forward-looking York Longman. Hine, Thomas. (2001). Goths in Tomorrowland. In D. George & J. Trimbur (Ed.) Reading Culture. 4th ed. (pp. 68-73). New York Longman.. Katz, Jon. (2001). More from the Hellmouth Kids Tell About Rage. In D. George & J. Trimbur (Ed.) Reading Culture. 4th ed. (pp 78-83). New York Longman.